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ins-“我喜欢代码及其背后的技术，但我希望我的工作首先建立人际关系，” Gerhard Koenderink说 (
案例简介：“我喜欢代码和它背后的技术，但我希望我的工作首先能与人建立联系，” Gerhard Koenderink (@ design.br和.art) 说。这位荷兰设计师和创意总监两年前开始学习代码，以探索他的艺术概念，通过数字实验的想法和情绪。“创意编码的美妙之处在于它快速、庞大、灵活，有时甚至是意想不到的。唯一的限制是知识、技术和时间，数据对我来说就是一切，一个打开游戏大门的工具。目前，我处于代码和硬件学习模式。一周可能会试图了解神经网络的基本原理，然后是生成设计，GLSL (一种着色语言)，或者将它们放在一起以查看会发生什么。我的大部分作品都是通过算法实时呈现的，你看到的只是10秒的快照，”他说，“ 我试着让每一件作品都有自己的个性、流畅和节奏，通过对小 “有机” 细微差别的健康痴迷。这件作品是在封锁期间创作的，我只是想逃到这个阳光明媚，温暖和寒冷的地方。我的艺术现在最酷的事情是我自己的客户-它超级解放，同时又完全令人恐惧。”# ThisWeekOnInstagramVideo by @ design.br和.art
ins-“我喜欢代码及其背后的技术，但我希望我的工作首先建立人际关系，” Gerhard Koenderink说 (
案例简介：“I love code and the tech behind it, but I would like my work to make a human connection first,” says Gerhard Koenderink (@design.brand.art).The Dutch designer and creative director started to learn to code two years ago in order to explore his artistic concepts, ideas and moods through digital experimentation.“The beauty of creative coding is that it’s fast, vast, flexible and sometimes unexpected. The only limit is knowledge, technology and time.Data for me is everything, a tool that opens up the door to play. Currently, I’m in the code and hardware learning mode. One week might be trying to understand the fundamentals of neural networks, followed up by generative design, GLSL (a shading language) or slamming them all together to see what happens. Most of my work renders algorithmically in real time and what you are seeing is only a 10-second snapshot,” he says.“I try to make each piece have its own personality, flow and rhythm, through a healthy obsession on the little ‘organic’ nuances.This piece was created during the lockdown and I just wanted to escape into this sunny, warm and chill place. The cool thing right now with my art is that I’m my own client — it’s super liberating and totally frightening at the same time.”#ThisWeekOnInstagramVideo by @design.brand.art
ins - “I love code and the tech behind it, but I would like my work to make a human connection first,” says Gerhard Koenderink (
案例简介：“我喜欢代码和它背后的技术，但我希望我的工作首先能与人建立联系，” Gerhard Koenderink (@ design.br和.art) 说。这位荷兰设计师和创意总监两年前开始学习代码，以探索他的艺术概念，通过数字实验的想法和情绪。“创意编码的美妙之处在于它快速、庞大、灵活，有时甚至是意想不到的。唯一的限制是知识、技术和时间，数据对我来说就是一切，一个打开游戏大门的工具。目前，我处于代码和硬件学习模式。一周可能会试图了解神经网络的基本原理，然后是生成设计，GLSL (一种着色语言)，或者将它们放在一起以查看会发生什么。我的大部分作品都是通过算法实时呈现的，你看到的只是10秒的快照，”他说，“ 我试着让每一件作品都有自己的个性、流畅和节奏，通过对小 “有机” 细微差别的健康痴迷。这件作品是在封锁期间创作的，我只是想逃到这个阳光明媚，温暖和寒冷的地方。我的艺术现在最酷的事情是我自己的客户-它超级解放，同时又完全令人恐惧。”# ThisWeekOnInstagramVideo by @ design.br和.art
ins - “I love code and the tech behind it, but I would like my work to make a human connection first,” says Gerhard Koenderink (
案例简介：“I love code and the tech behind it, but I would like my work to make a human connection first,” says Gerhard Koenderink (@design.brand.art).The Dutch designer and creative director started to learn to code two years ago in order to explore his artistic concepts, ideas and moods through digital experimentation.“The beauty of creative coding is that it’s fast, vast, flexible and sometimes unexpected. The only limit is knowledge, technology and time.Data for me is everything, a tool that opens up the door to play. Currently, I’m in the code and hardware learning mode. One week might be trying to understand the fundamentals of neural networks, followed up by generative design, GLSL (a shading language) or slamming them all together to see what happens. Most of my work renders algorithmically in real time and what you are seeing is only a 10-second snapshot,” he says.“I try to make each piece have its own personality, flow and rhythm, through a healthy obsession on the little ‘organic’ nuances.This piece was created during the lockdown and I just wanted to escape into this sunny, warm and chill place. The cool thing right now with my art is that I’m my own client — it’s super liberating and totally frightening at the same time.”#ThisWeekOnInstagramVideo by @design.brand.art
ins-“我喜欢代码及其背后的技术，但我希望我的工作首先建立人际关系，” Gerhard Koenderink说 (
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ins - “I love code and the tech behind it, but I would like my work to make a human connection first,” says Gerhard Koenderink (
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