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ins-“每当人们看到我表演时，我都希望他们看到作品中的角色，而不是跳舞的人，” 21岁-o说
案例简介：“每当人们看到我表演时，我希望他们看到作品中的角色，而不是跳舞的人，” 21岁的舞蹈家梅森·亚历山大 (@ alwxsnder) 说。“我是在几个工作室环境中长大的，在这些环境中，正确的路径是规范化的，专业舞蹈的成功是通过芭蕾舞。自然地，我将其内在化，并在我的大部分成长舞蹈生涯中努力在芭蕾舞中蓬勃发展，”他说。但是梅森最终加入了专业的现代舞蹈剧院公司Inlet Dance Theatre，终于找到了自己的使命。“它 (现代舞) 给了我一个许可声明，以放松我对舞蹈界的成功对我来说可能是什么的僵化想法。在我生命的这一点上，成功将以我作为艺术家，舞蹈演员所取得的成就，表演和创造的成就而闻名，但前面没有任何“ 其他 ”标题。我不是在寻找象征性的成功，我在寻找真正的成功。我想感觉自己赢得了。我的职业生涯仍然如此新鲜。我的脑海里充满了我最终想要创造的东西的想法，但是现在，我想专注于磨练我的手艺。我们是工作到生活的一代的一部分，只有少数人幸运地找到了一份也有生活感觉的工作。“# ThisWeekOnInstagramPhoto by @ alwxsnder
ins-“每当人们看到我表演时，我都希望他们看到作品中的角色，而不是跳舞的人，” 21岁-o说
案例简介：“Whenever people see me perform, I want them to see the character in the piece, not the person dancing it,” says 21-year-old dancer Mason Alexander (@alwxsnder).“I was raised in several studio environments where it was normalized that the path to proper, professional dance success was through ballet. Naturally, I internalized that and spent most of my formative dancing years striving to thrive in ballet,” he says.But Mason finally found his calling when he joined Inlet Dance Theatre, a professional modern dance theater company. “It [modern dance] gave me a permission statement to relax my rigid idea of what success in the dance world could be for me.At this point in my life, success would be becoming known for what I’ve achieved, performed and created as an artist, as a dancer, but not with any “othering” titles preceding. I’m not looking for token success, I’m looking for authentic success. I want to feel like I earned it.My career is still so fresh. My mind is full of ideas of what I want to eventually create, but for now, I want to focus on honing my craft. We are a part of the work-to-live generation, and only a handful of us are lucky enough to find a work that also feels like living.”#ThisWeekOnInstagramPhoto by @alwxsnder
ins - “Whenever people see me perform, I want them to see the character in the piece, not the person dancing it,” says 21-year-o
案例简介：“每当人们看到我表演时，我希望他们看到作品中的角色，而不是跳舞的人，” 21岁的舞蹈家梅森·亚历山大 (@ alwxsnder) 说。“我是在几个工作室环境中长大的，在这些环境中，正确的路径是规范化的，专业舞蹈的成功是通过芭蕾舞。自然地，我将其内在化，并在我的大部分成长舞蹈生涯中努力在芭蕾舞中蓬勃发展，”他说。但是梅森最终加入了专业的现代舞蹈剧院公司Inlet Dance Theatre，终于找到了自己的使命。“它 (现代舞) 给了我一个许可声明，以放松我对舞蹈界的成功对我来说可能是什么的僵化想法。在我生命的这一点上，成功将以我作为艺术家，舞蹈演员所取得的成就，表演和创造的成就而闻名，但前面没有任何“ 其他 ”标题。我不是在寻找象征性的成功，我在寻找真正的成功。我想感觉自己赢得了。我的职业生涯仍然如此新鲜。我的脑海里充满了我最终想要创造的东西的想法，但是现在，我想专注于磨练我的手艺。我们是工作到生活的一代的一部分，只有少数人幸运地找到了一份也有生活感觉的工作。“# ThisWeekOnInstagramPhoto by @ alwxsnder
ins - “Whenever people see me perform, I want them to see the character in the piece, not the person dancing it,” says 21-year-o
案例简介：“Whenever people see me perform, I want them to see the character in the piece, not the person dancing it,” says 21-year-old dancer Mason Alexander (@alwxsnder).“I was raised in several studio environments where it was normalized that the path to proper, professional dance success was through ballet. Naturally, I internalized that and spent most of my formative dancing years striving to thrive in ballet,” he says.But Mason finally found his calling when he joined Inlet Dance Theatre, a professional modern dance theater company. “It [modern dance] gave me a permission statement to relax my rigid idea of what success in the dance world could be for me.At this point in my life, success would be becoming known for what I’ve achieved, performed and created as an artist, as a dancer, but not with any “othering” titles preceding. I’m not looking for token success, I’m looking for authentic success. I want to feel like I earned it.My career is still so fresh. My mind is full of ideas of what I want to eventually create, but for now, I want to focus on honing my craft. We are a part of the work-to-live generation, and only a handful of us are lucky enough to find a work that also feels like living.”#ThisWeekOnInstagramPhoto by @alwxsnder
ins-“每当人们看到我表演时，我都希望他们看到作品中的角色，而不是跳舞的人，” 21岁-o说
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ins - “Whenever people see me perform, I want them to see the character in the piece, not the person dancing it,” says 21-year-o
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