案例简介：照片由 @ simonnorfolkstudio/2002喀布尔以东Hissain Hill的砖厂提供。绰号 “阿富汗，帝国的墓地” 似乎从未像在观看喀布尔灾难性炸弹袭击和残酷撤离的头条新闻时那样真实。我在那个国家20多年来拍摄的照片一直是对帝国妄想的沉思: 宏伟的白日梦，全球影响力的傲慢，过度扩张的残酷屈辱。帝国主义者将自己视为事件的有力主角，使事情发生的人，形成事件的人。外国只是他们的被动领域。这是帝国最大的愚蠢。从2001年开始，从英国1842年和1878，1980中的俄罗斯人以及我在阿富汗拍摄的大帝国废墟中看到。我正在重新发布过去20年的图像，这是一篇关于傲慢和克星的文章。关注我 @ simonnorfolkstudio以获取更新，获取，未发布和存档的材料。@ simonnorfolkstudio # 阿富汗 # 喀布尔 # aftermath # 希望

案例简介：Photo by @simonnorfolkstudio / The brickworks at Hissain Hill, east of Kabul, 2002. The moniker "Afghanistan, graveyard of empires" has never seemed so true as when watching headlines of the catastrophic bomb attack and shambolic withdrawal in Kabul. The photographs I’ve made in that country over 20 years have been a meditation on imperial delusion: daydreams of grandeur, the arrogance of global reach, the crushing humiliation of overstretch.Imperialists see themselves as the muscular protagonists of events, the ones that make stuff happen, the ones that form events. Foreign countries are just the passive arenas to them. This is empire’s greatest stupidity. As seen with the British in 1842 and 1878, the Russians in the 1980, and in the ruins of great empires I photographed in Afghanistan, beginning in 2001.I’m reposting images from the past 20 years, an essay on hubris and nemesis. Follow me @simonnorfolkstudio for updates, outtakes, unpublished and archive material.@simonnorfolkstudio #afghanistan #kabul #aftermath #hope

国家地理 - Photo by @simonnorfolkstudio / The brickworks at Hissain Hill, east of Kabul, 2002. The moniker "Afghanistan, graveyard o

案例简介：照片由 @ simonnorfolkstudio/2002喀布尔以东Hissain Hill的砖厂提供。绰号 “阿富汗，帝国的墓地” 似乎从未像在观看喀布尔灾难性炸弹袭击和残酷撤离的头条新闻时那样真实。我在那个国家20多年来拍摄的照片一直是对帝国妄想的沉思: 宏伟的白日梦，全球影响力的傲慢，过度扩张的残酷屈辱。帝国主义者将自己视为事件的有力主角，使事情发生的人，形成事件的人。外国只是他们的被动领域。这是帝国最大的愚蠢。从2001年开始，从英国1842年和1878，1980中的俄罗斯人以及我在阿富汗拍摄的大帝国废墟中看到。我正在重新发布过去20年的图像，这是一篇关于傲慢和克星的文章。关注我 @ simonnorfolkstudio以获取更新，获取，未发布和存档的材料。@ simonnorfolkstudio # 阿富汗 # 喀布尔 # aftermath # 希望

国家地理 - Photo by @simonnorfolkstudio / The brickworks at Hissain Hill, east of Kabul, 2002. The moniker "Afghanistan, graveyard o

案例简介：Photo by @simonnorfolkstudio / The brickworks at Hissain Hill, east of Kabul, 2002. The moniker "Afghanistan, graveyard of empires" has never seemed so true as when watching headlines of the catastrophic bomb attack and shambolic withdrawal in Kabul. The photographs I’ve made in that country over 20 years have been a meditation on imperial delusion: daydreams of grandeur, the arrogance of global reach, the crushing humiliation of overstretch.Imperialists see themselves as the muscular protagonists of events, the ones that make stuff happen, the ones that form events. Foreign countries are just the passive arenas to them. This is empire’s greatest stupidity. As seen with the British in 1842 and 1878, the Russians in the 1980, and in the ruins of great empires I photographed in Afghanistan, beginning in 2001.I’m reposting images from the past 20 years, an essay on hubris and nemesis. Follow me @simonnorfolkstudio for updates, outtakes, unpublished and archive material.@simonnorfolkstudio #afghanistan #kabul #aftermath #hope

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国家地理 - Photo by @simonnorfolkstudio / The brickworks at Hissain Hill, east of Kabul, 2002. The moniker "Afghanistan, graveyard o

暂无简介