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    案例简介:陪审团的文化/背景信息 自从柏林爱乐乐团1882年成立以来,他们由传奇和超凡魅力的首席指挥领导。像赫伯特·冯·卡拉扬 (Herbert von Karajan),威廉·富特旺格勒 (Wilhelm Furtwaengler) 和克劳迪奥·阿巴多 (Claudio Abbado) 这样的名字在古典音乐界仍然受到高度重视。首席指挥定义并塑造乐团的声音,他们选择曲目并充当乐团的面孔。 在夏季2018年,柏林爱乐乐团面临着艺术和商业挑战。在前首席指挥西蒙·拉特尔爵士 (Sir Simon Rattle) 离开和他的继任者基里尔·佩特连科 (Kirill Petrenko) 开始之间,整个赛季都没有首席指挥。我们如何将这个非凡的季节传达给要求苛刻的观众? 告诉陪审团摄影的事。不要说出摄影师的名字。 对于柏林爱乐乐团来说,指挥展台的空缺为乐团提供了更多创造力的机会。我们以一种有趣的方式在柏林爱乐乐团展示了这一变化: 在他们的家中进行了艺术干预。柏林爱乐大厅里的一切都被重新安排,以象征新的季节。 从乐团的普通设备中,我们创作了雕塑,装置和空间构图。这些艺术品是手工建造的。它们在柏林爱乐音乐厅的临时展览中展出,并被拍照,并成为季节交流的视觉框架-从季节日历,音乐会海报和传单到在线交流。因此,竞选活动成为了特殊年份的独特面孔。

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    案例简介:Cultural/Context information for the jury Since the Berlin Philharmonic were founded in 1882, they were headed by legendary and charismatic chief conductors. Names like Herbert von Karajan, Wilhelm Furtwaengler and Claudio Abbado are still in high regard in the world of classical music. Chief conductors define and shape the sound of the orchestra, they select the repertoire and act as the face of the orchestra. In the summer of 2018, the Berlin Philharmonic faced an artistic and a commercial challenge. Between the departure of the former chief conductor Sir Simon Rattle and the start of his successor Kirill Petrenko, there is an entire season without a chief conductor. How do we communicate this extraordinary season to a demanding audience? Tell the jury about the photography. Do not name the photographer. For the Berlin Philharmonic, the vacancy at the conductor’s stand offers the orchestra a chance for more creativity. We present the change at the Berlin Philharmonic in a playful manner: with an artistic intervention at their home. Everything in the Berlin Philharmonic Hall is rearranged to symbolise the new season. From the orchestra’s ordinary equipment, we created sculptures, installations and spatial compositions. The artworks were built on site by hand. They were presented in a temporary exhibition in the Berlin Philharmonic Hall, photographed and they became the visual framework for the season communication – from the season calendar, the concert posters and flyers to the online communication. So the campaign became the unique face of an exceptional year.

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    案例简介:陪审团的文化/背景信息 自从柏林爱乐乐团1882年成立以来,他们由传奇和超凡魅力的首席指挥领导。像赫伯特·冯·卡拉扬 (Herbert von Karajan),威廉·富特旺格勒 (Wilhelm Furtwaengler) 和克劳迪奥·阿巴多 (Claudio Abbado) 这样的名字在古典音乐界仍然受到高度重视。首席指挥定义并塑造乐团的声音,他们选择曲目并充当乐团的面孔。 在夏季2018年,柏林爱乐乐团面临着艺术和商业挑战。在前首席指挥西蒙·拉特尔爵士 (Sir Simon Rattle) 离开和他的继任者基里尔·佩特连科 (Kirill Petrenko) 开始之间,整个赛季都没有首席指挥。我们如何将这个非凡的季节传达给要求苛刻的观众? 告诉陪审团摄影的事。不要说出摄影师的名字。 对于柏林爱乐乐团来说,指挥展台的空缺为乐团提供了更多创造力的机会。我们以一种有趣的方式在柏林爱乐乐团展示了这一变化: 在他们的家中进行了艺术干预。柏林爱乐大厅里的一切都被重新安排,以象征新的季节。 从乐团的普通设备中,我们创作了雕塑,装置和空间构图。这些艺术品是手工建造的。它们在柏林爱乐音乐厅的临时展览中展出,并被拍照,并成为季节交流的视觉框架-从季节日历,音乐会海报和传单到在线交流。因此,竞选活动成为了特殊年份的独特面孔。

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    案例简介:Cultural/Context information for the jury Since the Berlin Philharmonic were founded in 1882, they were headed by legendary and charismatic chief conductors. Names like Herbert von Karajan, Wilhelm Furtwaengler and Claudio Abbado are still in high regard in the world of classical music. Chief conductors define and shape the sound of the orchestra, they select the repertoire and act as the face of the orchestra. In the summer of 2018, the Berlin Philharmonic faced an artistic and a commercial challenge. Between the departure of the former chief conductor Sir Simon Rattle and the start of his successor Kirill Petrenko, there is an entire season without a chief conductor. How do we communicate this extraordinary season to a demanding audience? Tell the jury about the photography. Do not name the photographer. For the Berlin Philharmonic, the vacancy at the conductor’s stand offers the orchestra a chance for more creativity. We present the change at the Berlin Philharmonic in a playful manner: with an artistic intervention at their home. Everything in the Berlin Philharmonic Hall is rearranged to symbolise the new season. From the orchestra’s ordinary equipment, we created sculptures, installations and spatial compositions. The artworks were built on site by hand. They were presented in a temporary exhibition in the Berlin Philharmonic Hall, photographed and they became the visual framework for the season communication – from the season calendar, the concert posters and flyers to the online communication. So the campaign became the unique face of an exceptional year.

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