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纸浆II: 被放逐的书的视觉书目
案例简介：纸浆: 这本被放逐的书的简短传记，是艺术家Shubigi Rao长达十年的项目，内容涉及书籍破坏，审查制度和其他形式的镇压的历史，以及作为象征和抵抗的书。这是该研究的第二个表现。纸浆是 “作为内容驱动对象的书”，其中设计和排版扩展了主题，而不是装饰主题。朱砂的使用在历史上具有重要意义，使用边距作为针对 “神圣化” 文本的亵渎空间也是如此。手写的边缘也指出了本书中边缘化的当代主题。
纸浆II: 被放逐的书的视觉书目
案例简介：Pulp: A Short Biography of the Banished Book, is a decade long project by artist Shubigi Rao about the history of book destruction, censorship and other forms of repression, as well as the book as symbol and resistance. This is the second manifestation of that research. Pulp is ‘the book as content-driven object’, where design and typography extend the subject, not decorate it. The use of cinnabar is historically significant, as is employing margins as profane spaces against the ‘sanctified’ text. The handwritten marginalia also points to the contemporary theme of marginalisation in the book.
Pulp II: A Visual Bibliography of the Banished Book
案例简介：纸浆: 这本被放逐的书的简短传记，是艺术家Shubigi Rao长达十年的项目，内容涉及书籍破坏，审查制度和其他形式的镇压的历史，以及作为象征和抵抗的书。这是该研究的第二个表现。纸浆是 “作为内容驱动对象的书”，其中设计和排版扩展了主题，而不是装饰主题。朱砂的使用在历史上具有重要意义，使用边距作为针对 “神圣化” 文本的亵渎空间也是如此。手写的边缘也指出了本书中边缘化的当代主题。
Pulp II: A Visual Bibliography of the Banished Book
案例简介：Pulp: A Short Biography of the Banished Book, is a decade long project by artist Shubigi Rao about the history of book destruction, censorship and other forms of repression, as well as the book as symbol and resistance. This is the second manifestation of that research. Pulp is ‘the book as content-driven object’, where design and typography extend the subject, not decorate it. The use of cinnabar is historically significant, as is employing margins as profane spaces against the ‘sanctified’ text. The handwritten marginalia also points to the contemporary theme of marginalisation in the book.
纸浆II: 被放逐的书的视觉书目
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Pulp II: A Visual Bibliography of the Banished Book
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